The Creative Industries: Ten years after

On March 20-21, a seminar on creative industries will take place in Jonsered, close to Göteborg. The seminar is arranged by the Foundation for the Culture of the Future (Stiftelsen framtidens kultur) and will discuss culture economy, the every day life of cultural work and the economical aspects, experienced based knowledge of cultural actors and more. The seminar is based on a study produced by Nätverkstan in 2002 called ”Den ofrivillige företagaren” (”The involuntary entrepreneur”). Many things have of course happened since it was written and a new edition will be released soon.

The concept of Creative Industries is fairly new in Sweden and it could be a good idea to look deeper into experiences from other countries. Nätverkstan has followed the development in Great Britain since 1999 where it definitely has been a bigger subject. In 1998, the recently created UK Department for Culture, Media and Sport placed the newly named ”Creative Industries” – media, design and arts based enterprises – at the heart of the nations economic future. The antecedents of the creative industries, the so-called ”Cultural Industries” of the 1970s and 80s were carefully steered from view, as the use of the term creative industries signalled a desire to harness cultural production to the new economic agenda.

In February last year Nätverkstan attended a seminar at the Open University in Milton Keynes called: The Creative Industries: Ten years after. The organisers, Mark Banks, Department of Sociology/CRESC, The Open University, and Justin O’Connor, Cultural and Media Industries Research Centre, University of Leeds asked themselves:  What has happened in the decade since 1998?

In the invitation Mark Banks reflects:

”On the one hand the creative industries can be seen to have gone from strength to strength. The UK Department of Culture, Media and Sport has re-launched its creative industry strategy with renewed vigour. The creative Economy Programme sets out an ambitious strategy, which once again places the creative industries at the heart of the UK’s economic future. The UK model has then been internationally exported, across Europe, and into territories as diverse as Australia, China and South Korea, shaping and being shaped by pre-existing policy frameworks, contributing to the rapid globalization of creative industry debate. Yet there are some hard questions to be asked and key issues to be addressed – this symposium attempts to address these issues and in doing so take forward an agenda for critical debate on the creative industries.”

Many interesting key speakers were invited: Justin O’Connor, David Hesmondhalgh, Andy Pratt, Kate Oakley, Chris Bilton, Mark Banks and Jason Toynbee. They addressed themes such as: The historical formation and context of creative industries; Creative industry policy and the legacy of New labour; Creative industries and local and regional development; Creative industries in comparative international contexts; The changing politics of creativity and creative industry work; And The future policy agenda for creative industries.

Several of the perspectives highlighted were indeed more critical and interesting than many of other seminars we have attended. Mark Banks talked about the shift from cultural to creative industries policy represents a de-politicization of cultural work in so far as ”cultural” concerns (i.e. those regarding meaning of work or its artistic, social or political value) have been sequestered in favour of approaches that focus on enhancing only ”creative” commodity production and economic value. Kate Oakley talked, among many other things, about an over focus on novelty as the primary determinant of cultural worth. Andy Pratt described how the cultural industries have been ”made up”. In particular – in the UK context – he examine the pre-mapping document (1998) period; the mapping document; and the ”framework” phase. He set out to show that categories are embedded in concepts, therefore the taxonomies that are used to measure the cultural industries, constitute them.

There is a web cast replay of the Creative Industries Symposium here. The programme of the event is found here. The programme (in Swedish) of the event in Jonsered on March 20–21: program-jonsered.pdf. The report ”Den ofrivillige företagaren” (in Swedish): ofrivilligforetagare.pdf.

Written by Karin Dalborg, Manager of Kulturverkstan, a Project Managament Training Programme within Culture, run by Nätverkstan.

4 Responses to “The Creative Industries: Ten years after”

  1. [...] Jan Jörnmark was one of several interesting speakers and group discussions on the seminar this weekend (20-21 of March) held by the Foundation for the Future of Cultures (Stiftelsen framtidens kultur) on the topic “Creative Industries and Involuntary Entrepreneurs”. For the programme, look at this post. [...]

  2. [...] “Time for Culture”, Culture should mainstream all policy, Art and creative industries, The Creative Industries: Ten years after, and many [...]

  3. [...] At Creative Choices website you find After the Crunch, a book trying to put light on these issues, and also thoughts about “So what’s next”. Terry Flew and Stuart Cunningham wrote the book Creative Industries after the First Decade of Debate, and in 2008 you could listen to many of the leading researchers within cultural and creative industries at a one-day symposium at Milton Keynes, “The Creative Industries: Ten Years After”. Nätverkstan was there, read about it here. [...]

  4. You did the a wonderful opus criticism and revealing the obscured beneficial features of

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Director of Nätverkstan, a Cultural Organisation in Sweden. Nätverkstan provides services …

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