Experimental theatre in Brno

When Theatre Goose on a String started in 1968 it played an important role in the resistance movement against communism in what then was Czechoslovakia. By sneaking in one or two words of the revolution into the performances on stage, the audience and the actors came to play different roles in strengthening the struggle in the real life drama.

Society has changed dramatically since then. Czechoslovakia has become Czech Republic and Slovakia. Communism has ended. The theatre has had to find its role in this new context. And more changes are to wait.

The platform Centre for Experimental Theatre consists of three theatre stages: Theatre Goose on a string, Theatre On the table, and HaDivadlo. They play together around 600 performances (theatre plays, events, festivals, readings) per year for full houses. Of the budget of 2 million euros per year, two thirds (2/3) comes from the city of Brno, the rest is through other income sources such as ticket sales, tours, projects. Sponsoring is zero.

They seem to be one of the few theatre’s of today having full capacity ensembles, with around 150 actors full-time employed. But changes are expected.

In Prague, changes have already happened. The formation of the theatre had to change from a benefit organisation (and thereby owned by the city) to a contracted one. This means that funding is not secured any more and every five years they have to compete with other theatres to get the grants. This has also meant that the actors have lost their jobs to become contractors.

The Centre for Experimental Theatre see the same development in Brno around the corner, and “there is no way to prepare for this”, as our guide Ondrej Navratil tells us. Conversation with the municipality is going on, as so many other cultural organizations they struggle with describing their value and to explain for the event- and tourist focused politicians, that an independent theatre is important.

But the show must go on. In the evening Amadeus, based on the film by the same name by Milos Forman (1984) is on stage. Amadeus’ hysterical laughter fills the auditorium as he enters the stage. He runs it, stops suddenly, looks around over a salon packed with people, and runs laughing out as the play starts. Another full house at the theatre.

The study visit was part of the 22nd Encatc Conference in Brno, Czech Republic, on 17–19 of September 2014.

 

Leave a Reply

Authors

Lotta Lekvall
Director of Nätverkstan, a Cultural Organisation in Sweden. Nätverkstan provides services …

Cultural and Social Entrepreneurship

On this blog we would like to explore entrepreneurship from a cultural and social point of view. Or rather put forward entrepreneurial initiatives within these two fields.

Search

Share

Archive

  1. april 2015,
  2. mars 2015,
  3. februari 2015,
  4. januari 2015,
  5. december 2014,
  6. november 2014,
  7. oktober 2014,
  8. september 2014,
  9. augusti 2014,
  10. juli 2014,
  11. juni 2014,
  12. maj 2014,
  13. april 2014,
  14. mars 2014,
  15. februari 2014,
  16. januari 2014,
  17. december 2013,
  18. november 2013,
  19. oktober 2013,
  20. september 2013,
  21. augusti 2013,
  22. juli 2013,
  23. juni 2013,
  24. maj 2013,
  25. april 2013,
  26. mars 2013,
  27. februari 2013,
  28. januari 2013,
  29. december 2012,
  30. november 2012,
  31. oktober 2012,
  32. september 2012,
  33. augusti 2012,
  34. juli 2012,
  35. juni 2012,
  36. maj 2012,
  37. april 2012,
  38. mars 2012,
  39. februari 2012,
  40. januari 2012,
  41. december 2011,
  42. november 2011,
  43. oktober 2011,
  44. september 2011,
  45. augusti 2011,
  46. juli 2011,
  47. juni 2011,
  48. maj 2011,
  49. april 2011,
  50. mars 2011,
  51. februari 2011,
  52. januari 2011,
  53. december 2010,
  54. november 2010,
  55. oktober 2010,
  56. september 2010,
  57. augusti 2010,
  58. juli 2010,
  59. juni 2010,
  60. maj 2010,
  61. april 2010,
  62. mars 2010,
  63. februari 2010,
  64. januari 2010,
  65. december 2009,
  66. november 2009,
  67. oktober 2009,
  68. september 2009,
  69. augusti 2009,
  70. juli 2009,
  71. juni 2009,
  72. maj 2009,
  73. april 2009,
  74. mars 2009,
  75. februari 2009,
  76. januari 2009,
  77. december 2008,
  78. november 2008,
  79. oktober 2008,
  80. september 2008,
  81. augusti 2008,
  82. juli 2008,
  83. juni 2008,
  84. maj 2008,
  85. april 2008,

Links

www.natverkstan.net

www.kulturverkstan.net

www.globalverkstan.net

www.nyabalylon.wordpress.com

www.ted.com

www.isk-gbg.org/99our68

www.encatc.org

www.eurozine.com

www.nurope.eu

www.kulturekonomi.se

www.firstdraft.it

http://levapasinkonst.wordpress.com