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Maidan Square in Kiev, Ukraine, is empty except for some people rushing across to their different morning activities and a piano painted in Ukraine colours standing lonely on the side.
A wooden board has been put up with photographs of the victims from the Maidan revolution last February (2014) that ended with an overthrown Ukrainan government, and the old president fleeing to Russia. Russian military forces took over Crimea as well as the Eastern parts of Ukraine where fights are still going on. The photographs on the board are getting worn out by rain and wind. They are only of men: one with his cat, another young boy looking seriously in to the camera, yet another a man standing the middle of the demonstration giving a quick glance in the direction of the photographer.
Sunday 26 of October is the election, but here on the Maidan Square we don’t see any evidence of this upcoming event. The on-going crisis in the East with Russia is, though, in the mind of everyone I meet.
On the conference Cultural Policy in Europe today: Finance, management, audience development arranged by EUNIC and the Eastern Partnership, culture is in focus and big hopes and importance are attached to the culture field. Minister of Culture, Yevhen Nyshchuk, opens the seminar by emphasizing culture as the key for growth and development in Ukraine and Europe.
Walter Zampieri, Head of Unit, Culture Policy and Intercultural dialogue at the Directorate General for Education and Culture at the European Commission, stresses the same and says that Culture and Creative Industries encompass around 4% of GDP in Europe. This is an important field in Europe today.
Ukraine is eager to build relations with the EU, an agenda has finally been signed that will guarantee cooperation. Culture and Creative Industries are one of the areas where money will be spent and efforts put in.
But can culture play this role? And can it just be instrumental? Doesn’t artistic value and quality need to be at the core of any such discussions?
One of the speakers, Mr Luciano Gloor, got the chance to answer a question posed by a man in film business that was wondering how to meet what he saw as propaganda done by the Russians, and if perhaps film could be a tool to counteract this?
The answer was straightforward and clear: As soon as you forget your passion and artistic values in producing your art, it will also become propaganda.
The audience will immediately see through any such attempt and judge you as others are judged that only commit to use art as propaganda.