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In classes we often talk about the importance of a proper ending of a project. In reality this rarely happens. The project is reported back to funders, papers filled in, employment ends, and the project results, people and process just disappear in to the daily work and next steps.
To address this unsatisfactory way of working we last year put an effort into creating a project model, specific for Nätverkstan and our projects. It’s quite simple. Just a lot of questions and things to think of when you start as a project team. Who is responsible for what? Deadlines? Expectations? Decision-making processes? Small and large things to go through to elucidate the project for the full project team.
And of course, the ending. How do you end the project?
Yesterday we ended and celebrated the project Cultural entrepreneurship workshop (Knep) which two years has now come to an end. We still have the final report to write. Despite this, we invited the people around the project, both the project team and the consultants, to a pack-it-together-dinner where we over wonderful food shared goodies and difficulties during the project period, what we learned, what we thought, next step.
From now on this is how we will end all projects. A salute to pack-it-together-dinners!
The workshop on cultural entrepreneurship and The Art of living on Art, has started again.
The project started in 2011 with courses gathering artists to discuss, reflect and get knowledge on how to develop the entrepreneurial side of the artistry. Four courses in parallell in four different parts of the region have been running and had overwhelming results. Evaluation done by an external evaluator shows that participants are very satisfied with the content.
The courses is a six meeting evening course where one meeting is a full day conference to look at the societal discussion of these question, get inspiration from artists living on their art and discuss selling and building relations. In the evening meetings we work on how to develop their ideas and where the starting point is the art and the artist.
Now we are on the road again, with courses starting in Göteborg and Fengersfors!
So far the first course, with workshops taking place at four different places in the region with around 8-10 participating artists in each, has ended and a new round of courses started. Last Saturday we had the full-day conference with David Karlsson talking about Cultural Industries, Gothenburg Combo on how they live on their art, and Ulla-Lisa Thordén on selling and pricing with all participants gathering in Vänersborg.
This is the road-trip around the Region of Västra Götaland this fall meeting artists in Skövde, Borås, Ulricehamn, Uddebo, Tranemo, Lidköping, Gerlesborg, Vänersborg. More to come!
Read more here.
Categories: Art and Business Artistic practice Blogg Creative Industries Creative spaces Cultural entrepreneurship workshop (Knep) Economy Entrepreneurship Regional Development The Art of living on Art
On the second conference on the course Cultural Entrepreneurship Workshop (Knep) three guest lecturers with very different approach held seminars in the old barn, now a conference venue, restaurant and brewery of local beer.
Placed in the fields about two hours drive from Göteborg around twentyfive artists gathered this beautiful autumn day to listen to the perfect combo.
David Hansson and Thomas Hansy who form Gothenburg Combo and make a living on their acoustic guitars told their story from Music Academy to international touring.
Ulla-Lisa Thordén wrote the book Luspank och Idérik (Broke but full of ideas, my translation) and gave a talk on how to sell and communicate your art to others.
Claes Bohman, who, among many other things, have been part of the team starting Transit, the incubator that was connected to University College of Arts, Crafts and Design in Stockholm, was giving a speach on the process from idea to the audience or customer.
During this combination of lecturers and storytellers two thing were significant: The importance of quality, artistic quality, in the work; and working on different levels of understanding. David Hansson and Thomas Hansy want to reach both the ”amateur” audience as well as other professionals. To do that they need to work on different levels in their music.
Read more here.
Tonights highlight. A warm summer-evening working with artists on the Art of living on Art in the small town of Uddebo.
Nätverkstan is running a European Social Fund project on art and entrepreneurship, Knep. The courses are run at four different places around the region of Västra Götaland, from large cities to small. Read also here.
On Monday the project, Knep, a cultural entrepreneurship workshop for artists, started around the region of Västra Götaland.
The workshop is a series of six evening-meetings, of these two full-day conferences, the content covers everything from how to live on your art, visions, where you are now, to marketing, budget and other useful things. We will go from practical work to an overview of the discussion on cultural entrepreneurship in Europe. The aim is for each participant to develop their entrepreneurial thinking.
We are holding workshops at four places in the region of Västra Götaland at the same time. It’s important, we find, to go to where people live and work, not only, to stay in the large cities (which in this region is Göteborg). All participants from the four different corners of the region will meet at the conferences, a way to enlarge your network and meet others.
Even in a small region of 1,5 million people networking is difficult and often an obstacle. Yet so important in an artistic work which often means lonely work in your studio.
Photos: Sara Vogel–Rödin.
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