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France – and the world – are in chock after the horrifying attack on the journal Charlie Hebdo in Paris today where twelve people were assassinated and around ten people hurt.
It´s an attack on the open society, says the Editor-in-chief Peter Wolodarski at the daily Dagens Nyheter, one of all the people who have been writing about and condemning the attack today.
Tonight people gathered in Paris on Place de la République to stand up for the open society and condemn the killings.
People held up the sign ”Je suis Charlie”, crying out ”Freedom” and ”Charlie”. The stream of people joining the manifestation of solidarity and grief seemed endless.
Never before have cultural journals been in the centre of the debate in Swedish media.
After the decision of the State Cultural Committee (Kulturutskottet) to cut the budget of the cultural journals with nearly 80%, the debate has been roaring.
Everyone: Cultural critics, journalists, writers; politicians from left to right (yes, even colleagues to Chair of the Committee, Per Bill, in the Conservative party have raised furious voices); professional organizations and interest groups, are writing articles, debating and arguing.
The decision has still not been changed to save the cultural journals.
But the Culture Minister who after the new election in March 2015 decides to reintroduce or even raise the support for the journals can only win. For a very small sum of money, this minister will gain respect and will be remembered as the one who saved the public critical dialogue and debate in Sweden.
Categories: Art Artistic practice Creative Industries Creative spaces Cultural Journals Cultural Policy Culture-led Development Democracy Digitization Distribution Economy Education Entrepreneurship Innovation Literature Regional Development
Etiketter:Artist, Artistic practice, Creativity, Cultural economy, Cultural Journal, Cultural Policy, Cultural Project, Democracy, Development, Digitization, Distribution, Economy, Employment, Entrepreneurship, Literature, New economy, Social entrepreneur
”A whole segment of critical debate is erased (…)” describes editor and critic Kim West in an article in Kunstkritikk where he writes about the outrage that hit Sweden on Friday (December 12th).
The coalition of Liberal-Conservatives is cutting the support for the rich variety of cultural journals in Sweden by around 80%. This means a whole art form is being closed down and killed. In one stroke of the red pen. No other European country has done the same.
This is possible due to the dramatic development in Swedish politics the last few weeks where the Sweden Democrats decided to vote for the opposition party’s budget, instead of the ruling left-wing coalition’s budget. This meant that the government’s budget didn’t win the election in parliament and therefore has to rule on the opposition party’s budget in waiting for the new election on March 22 2015.
And apparently the coalition of Liberal and Conservatives now take the chance to fulfil cuts of 365 million SEK in the cultural budget. 15 million SEK of these are being cut in one area specifically: cultural journals. The support for this area is 19 million SEK in total today, cutting 15 million SEK of these leaves 4 million SEK left.
This means that a whole sector is sentenced to a sure death.
Cultural journals are already living on the economic edge. Editors, writers, and critics are getting very low payment for their articles. These people are magicians who have dedicated their time to make sure that critical journalism and quality texts are still produced. The wide variety of critical and intensifying perspectives have been a pride in Swedish democracy. The Liberal-Conservatives showed on Friday how easily this could be ruined.
This is also done in a time when the media crisis is being discussed (just lately in three articles in the daily Göteborgs-Posten), newspapers are closing down their cultural pages, and critical and culture journalism is being severely threatened.
These times calls for action!
Sign this petition just to start with: Rädda Kulturtidskriftsstödet (Save the support for cultural journals).
Categories: Art Artistic practice Blogg Creative Industries Creative spaces Cultural Journals Cultural Policy Culture-led Development Democracy Distribution Economy Entrepreneurship Innovation Literature Regional Development Reports, articles and books
Etiketter:Artist, Artistic practice, Creativity, Cultural economy, Cultural Journal, Cultural Policy, Cultural Project, Democracy, Development, Distribution, Economy, Education, Employment, Entrepreneur, Literature, Research, Social entrepreneur
The chairman of the Committee of Culture in Region Västra Götaland, Alex Bergström, together with vice chairman Lars Nordström, proudly presented the decision in the committee of establishing a fund for essays. The fund will give up to 500.000 SEK for essays published in a cultural journal. The fund is unique in Sweden.
The other new initiative is support for translation of literature written by immigrant authors living in Sweden.
The region has also decided to become a region for refuge authors and artists and has become a member of ICORN (International cities of refuge network).
Chairman of the Writer’s Centre in West Sweden, Carl Forsberg, saw this as an important development and possibility for the small, often economically restrained, cultural journals and for authors.
The seminar was moderated by David Karlsson, chairman of Nätverkstan.
It’s complex and easy to get entagled along never-ending blind discussion- alleys with no emergency exit. The result being that the important discussion on cultural entrepreneurship and the possibilities for artists to live on their art is lost.
Nätverkstan, with author David Karlsson, has together with Region Västra Götaland tried to untangle some of these knots by producing this Questions&Facts booklet.
It’s formed as a quick guide with focus on cultural entrepreneurship. Not art. Not business. But art and business.
Download here: How_long_is_a_piece_of_string.pdf
Professor Justin O’Connor will soon host Göteborg and Stockholm discussing cultural and creative industries and the myth of the creative city.
In 2007, Professor Justin O’Connor wrote the report The cultural and creative industries: a review of the literature for the University of Leeds that might be useful background for the eager participant.
Are we in the moment of time where a need for ”a refusal of creativity and its illusions in a spirit Adorno would recognise” and maybe ”creativity” is the problem? Will the underlying tensions in the cultural industries between capitalism and cultural value call for another understanding of the concept?
Read more here: oconnor_justin_cultural-creative-industries-15.pdf.
In the middle of the roaring debate on the future of Lagerhuset, the Warehouse, a building in central Göteborg housing small-scale independent cultural organizations, publishers, and cultural journals, the digital journal Alba and Tidskriftsverkstan i Väst arranged a debate on cultural policy in the House of Literature (located in Lagerhuset).
It couldn’t be better timing.
But let’s start from the beginning. The old warehouse built in beginning of 1900 was for a long time a toll free warehouse for goods stored waiting for taxation to continue into the city. The building was then empty for a long time but in 1999 a group of small-scale publishers moved in together with Nätverkstan, Tidskriftsverkstan i Väst, the journals Ord&Bild, Glänta, and Paletten.
Other small businesses moved in, such as photographers, psychologists, architects, and editors.
In 2013 Frilagret started its cultural space for young people with dialogue processes and an active group of young cultural-interested people setting the agenda, an organization owned by the municipality. In October the same year the House of Literature opened its doors for readings, discussions on literature, space for writing, debates and discussions with authors, another of the municipality owned activities in the building.
And in March 2014 it was clear that the landlord, another part of the municipality, their own real-estate company Higab is chock-raising the rent for those in the house negotiating their contracts. One publishing house is leaving already in June.
The cluster of small-scale cultural organizations and entrepreneurs has taking long to create. And it can be destroyed in a second. No one can afford 30-35% higher rent.
With one hand the municipality is investing in a cultural house, while the other is pulling the rug under the feet of all the cultural organizations already in the building.
Of all the seminars, conferences, public debates and discussions on the cultural and creative city over the last ten years, Higab must have missed them all.
And they missed yesterday’s debate as well. Where are they? Are they at all concerned of the context and society they work in?
Categories: Art and Business Artistic practice Blogg Creative Industries Creative spaces Cultural Journals Cultural Policy Culture-led Development Economy Entrepreneurship Innovation Literature Medialab Music Nätverkstan Regional Development
Etiketter:Artist, Artistic practice, Creative Industries, Creativity, crisis, Cultural economy, Cultural Policy, Cultural Project, Development, Economy, Education, Entrepreneur, Entrepreneurship, Literature, Renewal, Social entrepreneur
Is there a need for a joint Capacity Building program within Art and Entrepreneurship on the regional level in East Africa, driven and run by the cultural field? If so, what could a program look like?
Those have been questions discussed on the second meeting with representatives from cultural organizations as well as artists from Uganda, Kenya, Tanzania, and Rwanda. The meeting in Kampala on March 6–9, included several large questions.
What kind of competence building is needed among artists and cultural organizations? Is the perspective of livelihood a useful one? What are points of similarities in the context and cultural scene in the different countries, and what are the differences?
Three intense conference-days, with visits of cultural organizations in Kampala, ended in the conclusion that this process, discussion, and concrete ideas need to continue.
Three concrete points already happening is:
1) the GoDown Arts Centre start a term 1 course in Creative Entrepreneurship in May.
2) it might be possible to hold a facilitators’ course and training-for-trainers with regional partners sometime between May and August,
3) another meeting on the East Africa level will be held, probably in August, this time hosted by either Tanzania or Rwanda and with local artists invited.
On the meeting in Uganda artists within performing arts, writing, and visual art was participating, as well as representatives from Bayimba Cultural Foundation (Uganda), Femrite (Uganda), 32°East (Uganda), Autumn Ventures Africa (Uganda), MUDA (Tanzania), Ishyo Arts Centre (Rwanda).
The meeting is part of the project ”East Africa Capacity Building Program for Creative Entrepreneurs and Artists” funded mainly by the Swedish Institute and is a cooperation between GoDown Arts Centre (Kenya) and Nätverkstan (Sweden).
Etiketter:Artist, Artistic practice, Creative Industries, Creativity, Cultural economy, Cultural Policy, Cultural Project, Development, Economy, Education, Entrepreneurship, International exchange, Literature
Writing a few words on an empty piece of paper can be the most difficult thing. The choices of words, constructions, meanings are endless. It seems like an impossible act to write anything of meaning. And yet, when you read a text that just flows it seems so easy. The choices of words and how they are put together becomes like a magic formula that touches your soul.
In the daily Dagens Nyheter last spring (27/4 2013), literary critic Åsa Beckman did an open analysis of one of Swedish poet Birger Sjöberg’s (1885–1929) poems: Varje ord skall andas (my translation: Every word shall breathe). The poem is a beautiful text on the meaning of each word and how they should breathe, live, be strong. ”At attention, each phrase!”, he writes.
Perhaps this is when words become so dangerous to some.
Two Persian poets are now in prison in Iran for what they write; Fateme Ekhtesari and Mehdi Moosavi. And they are not the only ones. ”Poets are highly dangerous”, says the Chair of the Swedish PEN Association, Ola Larsmo, recently in the daily Göteborgs-Posten.
In many of the world’s dictatorships writers, poets, journalists are in prison. The situation for writers around the world has worsened, Ola Larsmo states.
Let the new year of 2014 be the year when they are all set free.
Poem by Birger Sjöberg:
Varje ord skall andas
Varje ord skall andas och sin bröstkorg häva,
varje sats skall kunna ränna kring och stå,
skyldra, gå på tå,
svimma, trängta, sväva.
Det är ej så lätt, att liv av prickar väva,
att i typers prassliga små buskar
låta friska kinder sticka fram.
En sats skall ju bli ett träd, som ruskar,
en en fisk, som spritter,
en ett fågelkvitter,
en en sorgehögtid allvarsam.
Nu giv akt, vart ord!
Dra ej med er slarviga soldater.
Samlas på mitt bord,
alla, friska, starka, levande kamrater.
And a try for a quick translation, without any claim of poetic qualities but just for the English speaking readers to get an idea of the content of the poem:
Every word shall breathe
Every word shall breathe and its chest heave/every sentence shall run around and stow/arms present, tip on toe/faint, yearn, leave/It is not so easy, to life in dots weave/to in types’ rustly small bushes/let fresh cheeks stick out brave/Why a sentence shall be a tree, that swooshes/one a fish, that jitter/one a bird twitter/one a mourning sermon so grave/Now, stand at attention, each phrase!/Don’t pull with you careless soldiers/At my table embrace/all, healthy, strong, living comrades.
Kulturchock packed the suitcases with Swedish cultural journals and travelled to Helsinki Book Fair that just took place.
On the airport they met the first (that we have seen) print-on-demand machine for buying periodicals and journals, Meganews. It’s time to check what the deal is and how cultural journals can be part of this very modern way of buying journals.
On a three day seminar in Stockholm at Museum of Modern Art in 2007 to celebrate a hundred years since philosopher Hannah Arendt’s birth, the book on Eichmann in Jerusalem and the banality of evil was not mentioned, journalist and critic Ingrid Elam noticed in her review of the seminar in daily Dagens Nyheter. It was not until someone in the audience asked the key speaker, philosopher Agnes Heller, that this work was discussed. It was all good reasons for this; the focus was on Arendt’s other important work.
Yet, reading Eichmann in Jerusalem (1963) it’s difficult not to stay with her theories and reflect on their importance. They not only say something about the times in Europe during the Nazi era, they describe an on-going civil dilemma between bureaucratization and people.
Two things are especially terrifying and still today relevant.
One is the systematic way the in which the bureaucracy was built around, first emigration of the Jewish people from Germany, later the ”final solution” to send Jews to death centers. The language used to describe this wasn’t a mass-murderer’s, Hannah Arendt reflects, it was instead in terms such of ”programs” organizationally put under ”administration and economy”. Hitler and his men managed to build a bureaucracy in which the language around the ”final solution” was not immediately offensive or against people’s normal conscience. Finally, it seemed like a necessity, like an objective question that needed a solution.
The other is how she described Eichmann. He was not a monstrous murderer; he was not even particularly evil. She de-demonized him and he stands out neither as a diabolic character or a fanatic. He is just a dull bureaucrat with no ideas and a complete lack of critical thinking. He follows orders and is trying to do his job the best he can, wanting to climb to more important jobs and positions within the structure.
Since Arendt wrote this book in 1960s, even since the seminar in 2007, the European society has changed.
The economic crisis have had devastating effects in many countries with high unemployment rates and raise of poverty as a result. Art and culture has seen substantial cuts, of which effects for society we haven’t yet seen. Where will critical thinking be practiced?
Racist parties around Europe are filling seats in parliaments, some of them with roots in neo-Nazism. They changed their shaved heads to slick hairstyles and proper suits to better fit in to the political corridors. Their language is changing to not being immediately offensive and therefore suit a larger group of the population. Their main point on the agenda is limiting immigration, keeping a nation ”traditional” concerning everything from habits, culture and people.
As Ingrid Elam writes in her article (DN 15/1 2007), If Arendt had lived today she would have written about how today’s stateless people and refugees are handled by very ordinary people.
Hanna Arendt wrote the book ”Eichmann in Jerusalem” in 1963 and it is a collection of a series of articles written when she was covering the trial on Nazi Adolf Eichmann for the journal The New Yorker in Jerusalem in 1961. The book is translated into Swedish and published by Daidalos in 1996.
Article by Ingrid Elam in Dagens Nyheter (DN) on 15 of January 2007 can be found here.
In this year’s Göteborg International Film Festival (January 2013) they showed the film on Hannah Arendt by director Margarethe von Trotta.
American artist Andrea Geyer did an interesting piece on the trial with Hannah Arendt’s book as main base, Criminal Case 40/61: Reverb, 2009, which was shown, among other places, at Göteborg Konsthall in 2010.
Göteborg is the host city of one of the biggest book fairs in Northern Europe. The latest years, the need of finding another positioning has evolved and to meet this need Mediadagarna – The Media Days fires off for the second year in a row.
Nätverkstan and Kulturchock, who work vividly with different ideas and initiatives to meet up the needs of the cultural journals, see this platform as one way of putting the Swedish cultural journals on the map.
We are already convinced of the multi-dimensional spread in content as well as subjects presented in the printed cultural journals and their role in Swedish democracy. What we had not digged deeper into before was the sound of them. What would they sound like if it was sound? We decided to build a sound installation in order to make them ”speak” in a new way.
From an old portable typewriter you hear the sound of typings from laptops as well as manual key buttons in a mxi with lead pencils writing on paper. ”Typings” is a 7`48”tape recording played in a loop.
From the headphones attached to the installation play a variation of sound samples from cultural magazines that work with additional formats as sound. Some do radio, talking magazines or present sound art works along with their releases. For this special occasion we also did a special recording of a young girl reading poetry from the arty, literary, and philosophic edition of OEI.
Text and photo: Helena Persson
To find the depth in culture journals you don’t need 3D-glasses, but sometimes a little better exposure would help.
The team running the Nätverkstan project Kulturchock (Culture Chock), who are quoted above, are clever people. New this year is a cooperation with eleven specific bookshops to expose the cultural journals under the signature ”Cultural Journals Weeks”. Some of the best bookhops in the country are leaving their best marketing spot to cultural journals: the shopping-windows!
The Cultural Journals Week will be visable from South to North during January and February and some already started!
The 31st of December was a historic day. The very last printed issue of Newsweek was published and distributed. From now on the only way to read Newsweek is on the web.
Newsweek is an American weekly news magazine, published since 1933 in New York City and with US and international distribution. I
n October 2012 the editor Tina Brown announced that the weekly would end it’s eighty years of printed publication to go only digital. It’s an historic change and follows a period of changes within in printed press due to changing reading habits. Read more of the challenges and future of print here.
Nätverkstan managed to get the hands on a copy of the very last issue. And as the historic winds of change are blowing around us we continue our work to help small cultural journals and publicists to face the digital challenges and find solutions that are cost effective. This year the project Literature and digitization will take further steps in this direction with funding from Region Västra Götaland.
Ghanian writer Kojo Laing talks softly but with emphasis. Every word comes from the heart and touches the heart of the audience. It’s the most generous and honest presentation I have heard in many years.
It’s like a curse, he says about writing. He can’t stop. He has tried to stop, but he just can’t.
Coming from a Christian family in Ghana, his father was a priest, and with all his five siblings working within the church, he is the only one being a writer and also in pressing doubt in faith, something that is also topics in many of his books. He leans forward in his chair, looks over the audience, hitting his chest with his hand and asks, insisting on the honesty of this question: Am I a fool? Am I crazy having this doubt? Can anyone in the room say that they are anywhere near the doubt I have?
His writing is anything but a simple process, he tells us. One of the books took eight years to write. He wanted to write Ghanian and English, not for the sake of it, but because he wanted to squeeze out the English from the Ghanian languages. With his hands he shows us the guesture of thoroughly and hard squeezing water from wet laundry. And that took time. He picks up the book, shows it, and looks at it, exhausted. And goes quiet.
He answers each question posed by Kwani Trust Chairman Tom Maliti sometimes with a big smile of a question that he founds on the spot, then continues with a story and sometimes ends abruptly. The room gets quiet a short second before a new line of thought is unfolded.
Kojo Laing is like a ghost in his own country, he describes his situation. His books are mainly published outside of Ghana. But on the question if he would rather write something else, if he got the chance to re-do things, something less controversial that sold many, many copies of his books and made him more famous, his answer is distinct and clear. He couldn’t write anything else. This is what he writes.
A young woman raises her hand and asks what he suggests a young writer should think about pursuing a career as a writer?
Be yourself, is his first answer. Read as much as your brain can contain. The more you read, the more complex you become. And it applies to experience as well. Paradoxical experience. Encourage many identities. It will be needed as the world goes smaller.
And he adds and laughs: And when you get advices you reject them.
Kwani? Litfest 2012 is a yearly literature festival run by Kwani Trust in Nairobi. This year the theme is Conversations with the Horn. Writers, artists in exchange.
In Copenhagen it is called ”the book happening of the year”. This is also why Kulturchock made the decision to participate at the event that during the years has expanded in favour for both dedicated readers and the book industry in Denmark.
For Kulturchock it is not only the purpose to improve the distribution and visibility for the Swedish cultural magazines within the country. It is also a beneficial opportunity to overbridge borders both internationally and linguistically to show the multifaceted goldmine that we possess. The 100 culture magazines that we represent impress many of the book fairs visitors, and the question is not why the swedish magazines are there, but why the danish aren´t? Ivan Rød, head of the organisation for danish cultural magazines, tells us that the granting for these magazines har been withdrawn and that they can not afford participating. Nevertheless, the danish literature magazine Standart was elected this year´s cultural magazine in the Nordic countries.
The showcase for cultural magazines at the book fair in Gothenburg this year was a collaboration between Kulturchock at Nätverkstan and Tidskriftscentralen in Finland. In addition to the Swedish and Finnish magazines you could also find Danish and Norwegian ones. Maybe this concept can evolve and be used at future events?
Thank you for this visit, BogForum, see you again in 2013?
Post by Helena Persson, Project manager at Nätverkstan
Etiketter:Bangalore, Creative Industries, Cultural economy, Cultural Journal, Cultural Policy, Democracy, Development, Digitization, Distribution, Economy, Globalization, Literature, New economy, Transformation
Since 2009 large and small newspapers around the world have been facing difficulties with drop in profit, drop in sales with job cuts as a result.
The latest in the line of newspaper cuts is Newsweek announcing earlier this fall the end of printed publication, and only going digital. December 31 is the last printed issue being distributed changing an eighty year chain of printed publications. The Independent as another example of a troubled newspaper and in the US the newspaper scene has changed drastically with papers like The Seattle Post-intelligencer, The Detroit News, and The San Francisco Chronicle and more severely being reduced and some closed down.
The Swedish daily Dagens Nyheter has seen a drastic cut among employees and the latest news is that the other large daily Svenska Dagbladet has to save around 40 million SEK leading to cutting off it’s cultural pages and having around 50–60 employees are loosing their jobs.
Smaller newspapers are facing the same future. Nerikes Allehanda and Vestmanlands Läns Tidning, who both have the same owner, are cutting with 75 people during this year (read more here).
Times for newspapers and journals are dramatically changing. What is the future of printed press? Will heaps of printed books, journals, newspapers just be stored in piles collecting dust while the readers are elsewhere?
Cultural critic Olav Fumarola Unsgaard addresses this challenge and the future of print in an article at A-Desk Critical Thinking. He writes:
To understand the media landscape of today we must change our point of viewpoint. The world of printed media is today going through very rapid changes. To make it simple all these changes are in one way or another connected to digitalisation and the Internet. First of all we must understand that these changes have an impact on the entire sector of print. This means newspapers, journals, magazines, books and comics. It will affect the worldwide media conglomerates as well as the small fanzines. In the words of Joseph Schumpeter is there a massive creative destruction going on. Someone will lose and someone will gain.
Read the full article here.
Olav Fumarola Unsgaard is cultural journalist, book editor and project manager, also a former project manager for the long tail-project at Nätverkstan. Today mostly working with the Swedish publishing house Atlas and the journals Fronesis and Ord&Bild.
Etiketter:Artistic practice, Creative Industries, crisis, Cultural economy, Cultural Journal, Development, Distribution, Economy, Entrepreneurship, Globalization, Literature, New economy, Transformation
It’s almost unbearable to read.
Belarus writer Svetlana Aleksijevitj’s book with Swedish title Kriget har inget kvinnligt ansikte (The war doesn’t have a female face, my translation) is a remarkable project that took her years to finish. She has interviewed women all around Russia, Ukraine, Belarus, has loads of cassette tapes where these now elderly women tell their horrifying stories of joining the army at ages 16–18 years and the hardships and terrifying work as snipers, nurses, pilots, military seargents, soldiers, engineers, and as members of the partisans and resistance movement.
Women’s role in the military during the Second World War in Russia has never been highlighted. They continued their life after the war, bearing their sorrows, trying to forget while the victory of the war has been contributed men. Aleksijevitj wants to let them be heard, wants to tell their stories, the choices they had to make, their everyday struggles in the war, in life, as daughters, wives, mothers, and soldiers.
At points I have to put it aside, but then I pick it up again. I’m obliged to listen to these women and what they went through during the war and nine hundred days of siege of Leningrad (St Petersburg) by the nazists during 1941-1944. Swedish journalist Ulrika Knutson writes in her resumé in Expressen last week that if you only read one book this year, this should be the one.
I read it as I am on my way to St Petersburg to speak on a seminar about women creativity. I am shaken.
Nätverkstan has been invited to St Petersburg to speak in connection to the opening of the exhibition Creative Women on October 23, exhibiting Inventions from Swedish women.
The exhibition is an initiative by Tekniska Museet (The Swedish National Museum of Science and Technology) where Museum Director Ann Follin realized when looking through the 55.000 objects in their collection that only 100 of these were made by women. It also showed when looking deeper that of all patent applications in Sweden only five percent came from women.
This raised questions of whether women are less inventive than men? Or perhaps less creative?
They didn’t believe this to be true and put together the exhibition of women inventors, an exhibition that in cooperation with Swedish Institute has toured to around ten different countries raising questions of the role of women in innovation.
The St Petersburg-based organisation Social and Economic Institute arranges the seminar inviting a Swedish and a Russian speaker. Olga Gracheva gave a very interesting contribution of the NGO Kaykino Creative Projects she just started two years ago with the aim of promoting and develop interest for the rural area around St Petersburg. An amazing initiative.
The women in the book are with me.
The only connection between these two things is that it’s about women and their hidden voices. Women in 1940s and women in 2012.
Swedish Institute supports the seminar and project, host organization in St Petersburg (run by two charismatic women) is the Social and Economic Institute, an institute focussing on educational initiatives, projects, conferences, and exchanges of experiences between women in the world. The exhibition is shown at the Water Museum, a museum examining the role of water with both an educational and interactive part for children and an open part for the public.
Svetlana Aleksijevit’s book ”Kriget har inget kvinnligt ansikte” is translated by Kajsa Öberg Lindsten (Ersatz 2012).
Inspired by the Nordic colors (the Göteborg Book Fair has a Nordic theme this year) the space is now filled with around hundred cultural journals filled with articles on society, art, poetry, literature, feminism, language, food, film, philosophy and more.
The doors have opened to the fair which is already packed with literatureinterested people from all over Europe and elsewhere.
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