Posts with tag Social entrepreneur

Again: Save the cultural journals!

Never before have cultural journals been in the centre of the debate in Swedish media.

After the decision of the State Cultural Committee (Kulturutskottet) to cut the budget of the cultural journals with nearly 80%, the debate has been roaring.

Everyone: Cultural critics, journalists, writers; politicians from left to right (yes, even colleagues to Chair of the Committee, Per Bill, in the Conservative party have raised furious voices); professional organizations and interest groups, are writing articles, debating and arguing.

The decision has still not been changed to save the cultural journals.

But the Culture Minister who after the new election in March 2015 decides to reintroduce or even raise the support for the journals can only win. For a very small sum of money, this minister will gain respect and will be remembered as the one who saved the public critical dialogue and debate in Sweden.

For just a few of the articles, read (in Swedish) here, here, here, here, and here.

16 december, 2014

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Save the cultural journals!

 

”A whole segment of critical debate is erased (…)” describes editor and critic Kim West in an article in Kunstkritikk where he writes about the outrage that hit Sweden on Friday (December 12th).

The coalition of Liberal-Conservatives is cutting the support for the rich variety of cultural journals in Sweden by around 80%. This means a whole art form is being closed down and killed. In one stroke of the red pen. No other European country has done the same.

This is possible due to the dramatic development in Swedish politics the last few weeks where the Sweden Democrats decided to vote for the opposition party’s budget, instead of the ruling left-wing coalition’s budget. This meant that the government’s budget didn’t win the election in parliament and therefore has to rule on the opposition party’s budget in waiting for the new election on March 22 2015.

And apparently the coalition of Liberal and Conservatives now take the chance to fulfil cuts of 365 million SEK in the cultural budget. 15 million SEK of these are being cut in one area specifically: cultural journals. The support for this area is 19 million SEK in total today, cutting 15 million SEK of these leaves 4 million SEK left.

This means that a whole sector is sentenced to a sure death.

Cultural journals are already living on the economic edge. Editors, writers, and critics are getting very low payment for their articles. These people are magicians who have dedicated their time to make sure that critical journalism and quality texts are still produced. The wide variety of critical and intensifying perspectives have been a pride in Swedish democracy. The Liberal-Conservatives showed on Friday how easily this could be ruined.

This is also done in a time when the media crisis is being discussed (just lately in three articles in the daily Göteborgs-Posten), newspapers are closing down their cultural pages, and critical and culture journalism is being severely threatened.

These times calls for action!

Sign this petition just to start with: Rädda Kulturtidskriftsstödet (Save the support for cultural journals).

14 december, 2014

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Creative Economy at Arterial Network Conference

An art piece outside the Bibliothèque Nationale in Rabat (Morocco) called ”Digital” is reflecting on the new society. Old traditions meet the new knowledge and digital society.

The conference on African Creative Economy, held by Arterial network and Racine on November 12–16, was held in the big auditorium inside the library.

”It’s not one modernity”, said South African poet, writer and Professor Pitika Ntuli in an engaging and poethic speech: ”there are several parallel modernities”. ”It’s time for the African Cultural Renaissance”, he continued.

Several examples of a growing cultural scene is shown. In Nigeria the film industry (Nollywood) comes to 10% of GDP in a country with around 174 million inhabitants. In Senegal the music industry is thriving and growing. South Africa is showing important examples as well as visual arts and museums in Morocco.

The global value of Cultural and Creative Industries is said to be around 600 billion USD.

Africa’s share is less then 1%. This is the topic of the three conference days.

15 november, 2014

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Trans Europe Halles meeting

Cooperation, not competition was this year’s theme for the network Trans Europe Halles’ yearly conference in Plzen, Czech Republic on October 9-12.

But the main topic and worry during this conference was the fact that the network lost its European network support from European Union.

Many networks, such as Eurozine, the network for European cultural journals, Trans Europe Halles, and others did not get their application through this year.

The European Union was set up in 1945 after the Great Wars with the aim to through cooperation build a peaceful Europe. Mobility has therefore been central for the European Commission as a way to facilitate people to meet.

The European networks within culture have played an important role in this regard. People have been meeting over old closed borders, across political differences or old rival countries. On a network meeting recently with Encatc, the European Network for Cultural Administration Training Centres, Russian and Ukrainian participants discussed art management and its development in the midst of the Ukrainian crises. East meet West, North meet South, and across. It goes back to Socrates (469-399 BC) and his idea of the value of the Socratic discussion where arguments meet and a learning process can start.

These are significant meetings and their importance should not be under estimated. The European Union should continue support a wide variety of European networks.

19 oktober, 2014

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Experimental theatre in Brno

When Theatre Goose on a String started in 1968 it played an important role in the resistance movement against communism in what then was Czechoslovakia. By sneaking in one or two words of the revolution into the performances on stage, the audience and the actors came to play different roles in strengthening the struggle in the real life drama.

Society has changed dramatically since then. Czechoslovakia has become Czech Republic and Slovakia. Communism has ended. The theatre has had to find its role in this new context. And more changes are to wait.

The platform Centre for Experimental Theatre consists of three theatre stages: Theatre Goose on a string, Theatre On the table, and HaDivadlo. They play together around 600 performances (theatre plays, events, festivals, readings) per year for full houses. Of the budget of 2 million euros per year, two thirds (2/3) comes from the city of Brno, the rest is through other income sources such as ticket sales, tours, projects. Sponsoring is zero.

They seem to be one of the few theatre’s of today having full capacity ensembles, with around 150 actors full-time employed. But changes are expected.

In Prague, changes have already happened. The formation of the theatre had to change from a benefit organisation (and thereby owned by the city) to a contracted one. This means that funding is not secured any more and every five years they have to compete with other theatres to get the grants. This has also meant that the actors have lost their jobs to become contractors.

The Centre for Experimental Theatre see the same development in Brno around the corner, and “there is no way to prepare for this”, as our guide Ondrej Navratil tells us. Conversation with the municipality is going on, as so many other cultural organizations they struggle with describing their value and to explain for the event- and tourist focused politicians, that an independent theatre is important.

But the show must go on. In the evening Amadeus, based on the film by the same name by Milos Forman (1984) is on stage. Amadeus’ hysterical laughter fills the auditorium as he enters the stage. He runs it, stops suddenly, looks around over a salon packed with people, and runs laughing out as the play starts. Another full house at the theatre.

The study visit was part of the 22nd Encatc Conference in Brno, Czech Republic, on 17–19 of September 2014.

 

21 september, 2014

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Contemporary Art Nairobi

Roads are wet as we drive out of Nairobi towards Red Hill Art Gallery in Limuru between Banana Hill and Ngecha Village. Rain is hanging in the air and we see the dark skies of thunder threatening in the distance over the green hills and farmlands.

Visual artist Peterson Kamwathi is driving the car, and dancer, choreographer James Mweu, sit in the back and try to fill me in to the development of the Nairobi art scene.

Some years ago the most prominent art gallery, Ramoma, closed down and at the time it seemed like the exhibition possibilities for contemporary artists were becoming very few. But things are changing. The number of visual artists are growing, and there is a confidence in the art scene which is new. There is also quite a few interesting art spaces around Nairobi.

Red Hill Art Gallery is a fairly new space for exhibiting art and started around two years ago by Hellmuth and Erica Rossler-Musch, two former ”healthworkers” as they described themselves, with a great interest in art. During their twenty-five years in different countries in Africa they have collected art work from the most important artists in that region. A dream has been to start a gallery to show their collection, but also to support up-coming artists, and give a possibility to exhibit.

We get a tour among art works from artists such as Jak Katarikawe, Joel Oswago, Kivuthi Mbuno, Rosemary Karuga, Annabelle Wanjiku, and many more.

After the tour we have a cup of tea in the lush green garden, the rain has started to poor around us making a smattering sound as it hits the parasoll, and the conversation is about contemporary art in Nairobi, the scene, the possibilities, the challenges.

In the car back to town heading towards the next gallery, One Off Gallerythe discussion continues.

Art work in the photo by Richard Kimathi. More galleries are Circle Art Agency, Kuona Trust, Banana Hill Gallery, and of course The GoDown Arts Centre.

23 augusti, 2014

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Hands off!

”There is a shift in the balance of power”, says Tyler Stonebreaker, founder of Creative Space, ”Political boundaries are becoming less relevant. Instead it’s where the audience is”. And Los Angeles, described as one of three hubs of the creative industries in the USA, has this.

”We have content”, as Tyler Stonebreaker puts it, and sips on his Macchiato at Stumptown Coffee on South Santa Fe Avenue in the Arts District. The Coffee brewery is one of the projects Creative Space has been working with, helping them establish in L.A.

The Arts District has grown to become a thriving interesting hub for cultural and creative businesses in the past twenty years or so.

It’s an area that has changed over time from the middle of 1800s when it was the largest producer of wine in California; to become citrus groves and home for filmmaker DW Griffith who filmed parts of the first Hollywood films here; to by World War II becoming factories for the rail freight industry.

In 1960s and 70s artists moved in to the then abandoned industry buildings, something acknowledged by the City of Los Angeles who in 1981 passed the Artist in Residence (AIR) program which let artists live and work in these buildings.

We know this story. It’s seen in so many places around the world: abandoned factory and industry buildings turning into hubs, clusters, artistic residencies, that if rightly nurtured by the public officials can become an important drive for economy. Or at least that’s what politicians hope for. Thriving cities and regions that will be able to take up the competition of interest from tourists, being the place where people choose to live, and where entrepreneurs and the big enterprises decide to settle.

But can you decide to nurture this development? Or is it better for governmental authorities to keep their hands off and let things grow on their own?

British consultant Paul Owens once described art and culture growing like algae. They grow where you least suspect them to, where you don’t even would like them to grow, and they can’t really be nurtured. The best is to just keep hands off and let it grow as wild – and sometimes unwanted – as any weed.

It’s contradictory and for municipality and regional politicians and officials today’s million dollar question: How do you best nurture cultural and creative industries?

In the later years the interest for cultural and creative industries has grown in Los Angeles and a sense that these industries and their economic potential needs to be acknowledged more. The Otis report on the Creative Economy (2013) shows that one out of seven jobs in Los Angeles County and Orange County are related to Creative industries, it’s 1,4 million jobs in the state of California that are within the Creative Industries, and 7,4% of California’s Gross State Product.

Read also the report ”LA Creates. Supporting the Creative Economy in Los Angeles” by Keith McNutt: LA CREATES.

Information on Arts District is found here. Related blog posts here and here. Read also about artist P Nosa here and herePhoto of Tyler Stonebreaker is found here.

29 juni, 2014

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Don’t run away!

Within a week, three seminars has taken place in Göteborg and Stockholm with the ambition to bring knowledge and perspectives on cultural policy, cultural and creative industries, and the myth of the creative city.

To begin with the last.

Justin O’Connor, Professor at Monash University in Australia and the authority on cultural and creative industries, did a quick stop in Göteborg on his way to Stockholm to talk about Cultural Economy and Cultural Citizenship. Beyond the Creative City. Göteborg is one of all the European cities being promoted as the ”creative” city and the ”most creative region” in Sweden, eagerly cheered by the American economic’s Professor Richard Florida during his visit in 2006 when he identified Göteborg and Sweden to be a role-model of creativity and innovation.

Interesting since at the same time Göteborg is one of the most segregated cities in Europe, something that seemed to have slipped away from the Professor’s research.

Justin O’Connor said three things to be important:

1) Reinstall the value of art and culture and move away from ”creativity”,

2) Don’t run away from economics! Culture is part of the economy. Don’t leave it for others to handle and do not escape by saying economy is only for Neo-liberalists, and

3) The public space is for all. It’s time to reinstall Cultural Citizenship.

Cultural and Creative industries was in focus in Stockholm when Professors Justin O’Connor and Birgit Mandel, from Hildesheim University in Germany, discussed CCI – and beyond. Are we seeing the end of CCI? Or is it time for a revived understanding of the concept? Where are the artists in the discussion of CCI?

And the message was clear: Drop ”creativity”. This has only messed up the discussion. Go back to cultural economy. Discuss and define economy from the perspective of the arts and culture.

And today, lastly, a day with focus on cultural policy on the regional level of Region Västra Götaland tossing and turning on Whose Culture? Whose Plans? Whose Money? The seminar ended with politicians answering questions on what they think is the most important cultural policy question that they will bring to this year’s election. Participation, inclusive culture, culture to children and youngsters, integration was some of the answers.

The most important words, though, were said by Poetry Slam Winner Nino Mick, who summarized hen’s impressions during the day in a poetic reading that went straight into the heart.

The Göteborg event with Justin O’Connor is found here.

The invitation to the seminar in Stockholm: KN_Seminarieinbjudan_pdf.

The Cultural Policy day here.

5 maj, 2014

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Cultural Economy and Cultural Citizenship: Beyond the Creative City?

On April 28, Professor Justin O’Connor will hold a seminar on cultural economy, cultural citizenship and the creative city in Frilagret in Göteborg.

This is some of the content…

”Since the 1980s cities have used art and culture to promote their image, regenerate older districts, attract tourists and creative professionals, and latterly, rolled into the creative industries as a new dynamic economic sector. There is no doubting the contribution all these approaches have made to the transformation of the urban landscape. But they have also provoked a growing crisis as to what exactly is the value of culture? Distinctions have been made between ‘intrinsic’ and ‘instrumental’ value; or different levels of cultural, social, economic and environmental ‘impact’; or even new kinds of ‘public value’ measures which use quasi-markets to valuate cultural assets of programs. A great many policy documents have used these and other models to try to ”fix” the value of culture for public policy.

This talk attempts to sidestep these debates by revisiting, first, the idea of cultural citizenship and second, that of cultural economy. I will suggest that these two ideas should not be separated into the socio-cultural and the economic but need to be combined in a new agenda for urban cultural policy.”

Check the event on Facebook. The seminar is possible thanks to Göteborgs Kulturförvaltning (City of Göteborg, Cultural Department), FrilagretKonstnärsnämnden (the Swedish Arts Grants Committee), and Nätverkstan.

10 april, 2014

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Free Lagerhuset!

In the middle of the roaring debate on the future of Lagerhuset, the Warehouse, a building in central Göteborg housing small-scale independent cultural organizations, publishers, and cultural journals, the digital journal Alba and Tidskriftsverkstan i Väst arranged a debate on cultural policy in the House of Literature (located in Lagerhuset).

It couldn’t be better timing.

But let’s start from the beginning. The old warehouse built in beginning of 1900 was for a long time a toll free warehouse for goods stored waiting for taxation to continue into the city. The building was then empty for a long time but in 1999 a group of small-scale publishers moved in together with Nätverkstan, Tidskriftsverkstan i Väst, the journals Ord&Bild, Glänta, and Paletten.

Other small businesses moved in, such as photographers, psychologists, architects, and editors.

In 2013 Frilagret started its cultural space for young people with dialogue processes and an active group of young cultural-interested people setting the agenda, an organization owned by the municipality. In October the same year the House of Literature opened its doors for readings, discussions on literature, space for writing, debates and discussions with authors, another of the municipality owned activities in the building.

And in March 2014 it was clear that the landlord, another part of the municipality, their own real-estate company Higab is chock-raising the rent for those in the house negotiating their contracts. One publishing house is leaving already in June.

The cluster of small-scale cultural organizations and entrepreneurs has taking long to create. And it can be destroyed in a second. No one can afford 30-35% higher rent.

With one hand the municipality is investing in a cultural house, while the other is pulling the rug under the feet of all the cultural organizations already in the building.

Of all the seminars, conferences, public debates and discussions on the cultural and creative city over the last ten years, Higab must have missed them all.

And they missed yesterday’s debate as well. Where are they? Are they at all concerned of the context and society they work in?

See former post here and download the debate article (in Swedish) here: Befria Lagerhuset från Higab.pdf.

1 april, 2014

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At attention, each phrase!

Writing a few words on an empty piece of paper can be the most difficult thing. The choices of words, constructions, meanings are endless. It seems like an impossible act to write anything of meaning. And yet, when you read a text that just flows it seems so easy. The choices of words and how they are put together becomes like a magic formula that touches your soul.

In the daily Dagens Nyheter last spring (27/4 2013), literary critic Åsa Beckman did an open analysis of one of Swedish poet Birger Sjöberg’s (1885–1929) poems: Varje ord skall andas (my translation: Every word shall breathe). The poem is a beautiful text on the meaning of each word and how they should breathe, live, be strong. ”At attention, each phrase!”, he writes.

Perhaps this is when words become so dangerous to some.

Two Persian poets are now in prison in Iran for what they write; Fateme Ekhtesari and Mehdi Moosavi. And they are not the only ones. ”Poets are highly dangerous”, says the Chair of the Swedish PEN Association, Ola Larsmo, recently in the daily Göteborgs-Posten.

In many of the world’s dictatorships writers, poets, journalists are in prison. The situation for writers around the world has worsened, Ola Larsmo states.

Let the new year of 2014 be the year when they are all set free.

Poem by Birger Sjöberg:

Varje ord skall andas
Varje ord skall andas och sin bröstkorg häva,
varje sats skall kunna ränna kring och stå,
skyldra, gå på tå,
svimma, trängta, sväva.
Det är ej så lätt, att liv av prickar väva,
att i typers prassliga små buskar
låta friska kinder sticka fram.
En sats skall ju bli ett träd, som ruskar,
en en fisk, som spritter,
en ett fågelkvitter,
en en sorgehögtid allvarsam.
Nu giv akt, vart ord!
Dra ej med er slarviga soldater.
Samlas på mitt bord,
alla, friska, starka, levande kamrater.

And a try for a quick translation, without any claim of poetic qualities but just for the English speaking readers to get an idea of the content of the poem:

Every word shall breathe
Every word shall breathe and its chest heave/every sentence shall run around and stow/arms present, tip on toe/faint, yearn, leave/It is not so easy, to life in dots weave/to in types’ rustly small bushes/let fresh cheeks stick out brave/Why a sentence shall be a tree, that swooshes/one a fish, that jitter/one a bird twitter/one a mourning sermon so grave/Now, stand at attention, each phrase!/Don’t pull with you careless soldiers/At my table embrace/all, healthy, strong, living comrades.

31 december, 2013

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Culture Incubator

First gathering of the Culture Incubator after Summer breaks started today with focus on relationship building and marketing your project idea. Invited guest was freelancer David Andréas, now working as Art Director at an agency in Göteborg.

The Cultural Incubator is a project run by Nätverkstan, which is part of the larger project called Projekt Utveckling Nordost (Development North East), and aims to support people with ideas. The selected eighteen people come in with their ideas and over a six month period they get a chance to develop these to be more sustainable.

The project started in beginning of the year, and the development of each of the different ideas is really exciting. In November all projects are presenting their ideas for a larger audience of decision makers, representatives from the authorities, and other stakeholders.

Read more here.

26 augusti, 2013

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Final presentations at Kulturverkstan

The last semester at Kulturverkstan, the two-year International Culture Project Management Programme, the students do an internship at an institution, organization or project which they have identified as interesting from a learning perspective.

During their internship, they also identify a question or focus area which they research. The topics range from the sustainable society, citizen dialogue, equality and gender in cultural life, the relation between an intense working situation and the every day life, work and motive, and much more.

Coming back to Kulturverkstan, they write a final report as well as have an open presentation to discuss their topics with invited guests and audience. The discussions are rich both in depth and learning aspects and it’s a time of the year that has become a must if you’re interested in keeping up-to-date in important discussions in the cultural scene.

Read more here and if you happen to be in Göteborg – slip into one of the seminars!

21 maj, 2013

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Glocal Göteborg

What place should culture have in future Göteborg? Who’s initiative will be taken seriously and where do initiatives go?

The first semester at Kulturverkstan,  the International Project Management within Culture, the students have to deal with ”glocal” Göteborg. They get real life projects to work with, which not only put them into project work, but also helps reflecting around the global and local – glocal – city. They deal with context, process and the operational from start.

Nätverkstan, the organization behind Kulturverkstan, is during 2013 using the same model to look at our own work and place in society. And we start with the question: What is the role of a cultural organization in today’s society?

To start off we went on a bus tour around glocal Göteborg. We rented a bus, asked Peter Rundqvist, Cultural Coordinator att Project UNO (Project Development Northeast) and well oriented in the city, to take us on a social, economic, and demographic tour around Göteborg from the rich south to the poorer northeast.

As the city changed around us from the dense city center to farming land, from richer to poorer areas, to hidden pearls in the middle of the million programme housing we discussed city planning, culture, space, possibilities, and demographics.

And it all came down to: Who has access to the city?

26 april, 2013

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Start-up Cultural Incubator

The Cultural Incubator is a project run by Nätverkstan that aims to support people with ideas. The selected eighteen people come in with their ideas and over a six month period they get a chance to develop these to be more sustainable and feasible. Coaching and knowledge building seminars is part of the process, and finally they leave with action plans that can be used as a base to form business plans or project plans and applications.

The incubator is part of a large EU-project based in the immigrant dense Northeastern parts of Göteborg, the project is also named Utveckling Nordost (Development Northeast), and has the ambition to strengthen these areas’ attraction and create jobs. One way to do this is through strengthening culture and entrepreneurship.

The Cultural Incubator started in end of February and a great way to start is to use some time at the first meeting to get to know each other beyond the classical presentation round. It’s both valuable and sets the crossbar for the rest of the project time.

Our first start-up meeting followed by a cocking-session making dinner together and the second meeting was a bustour to visit the artistic group Not Quite in Fengersfors, in the woods of Dalsland. Inspiration, learning how Not Quite started and run their organization, and not the least: time to get to know each other and build networks.

Photo: Elin Tollbom

 

6 mars, 2013

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Projects at Kulturverkstan

Yesterday Kulturverkstan students held their project presentations at Frilagret, the new scene for youth culture in Göteborg.

During the first semester of the two-year education International Project Management within Culture, Kulturverkstan, the students get their very first large challenging task. They are formed in groups and together work with a real assignment presented by organizations in the local scene of Göteborg and west Sweden.

The projects have twofold meanings. It’s a way to study ”glocal” Göteborg, the local and global cultural scene in the city, and also a kick-start into the education and learning about project management. The projects end with an open presentation with invited colleagues, organizations, students, relatives, friends, and others.

And yesterday. in a full Frilagret in centre of Göteborg, the six presentations took place. Humouristic, professional, engaging presentations of their project work and their results. Impressive.

The six projects were:

Angered Boxing Club. How do low memebershipfees go together with organizing the largest boxing tournament? To show the importance of this meeting place, the warmth and feeling of community, the students decided to do a short documentary of the club focussing on the people.

A Göteborg for all (Ett Göteborg för alla). The inter-religious centre in Göteborg is a place where faith and dialogue over religious differences is in centre. The students assignment was to answer two questions: ”How can a more constructive dialogue of religion be held in the public sphere?” and ”What is a Göteborg for all?”. The students have formed a concept for a festival in May 2013 to answer this.

Frilagret. Frilagret offers an arena for young culture. The activities are put forward in dialogue with young people and one idea is a small exhibition room. The students work have led to an exhibition and discussion around ”What is art?”.

Humouristic political stunt. The project is a way to use humour in activism, in this case used to put the light on public transport ticket inspectors. Commissioner was researcher Majken Jul Sørensen, who focus on humour and political activism. The project was done in an action at the trams and a documentation of the process.

European Year for Active Aging and solidarity between generations. 2012 was the European Year for Active Aging and the students put together an touring exhibition with the message to politicians and decisionmakers to better encourage active aging.

TedxYouth@Järntorget. The TedxYouth@Järntorget have ambitions to create a meeting place for discussions and encourage young people to pursue their ideas. Everyone has a story worth telling! The students organized one of these events, 17th of November on the UN day for the Convention on the Rights of Children, the first of such meetings at Järntorget.

11 januari, 2013

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Ghetto Classics

Christmas carols are on the schedule this afternoon and on stage of the outdoor assembly hall in the township Kogorocho in Nairobi, the young musicians are in deep concentration practicing for a show later on this week. And a small taste of the concert is given in an open session for whomever who would like to listen. Kids fill up the rows, together with a few others and us guests.

”Making music can make a difference” says Elisabeth Njoroge, Head of the Art of Music Foundation, the Foundation behind the project. Getting the chance to play an instrument, learning music, can actually change peoples lives, she says, and tells us examples of children from the slums who get a chance to play and how that has opened new possibilities and hope for a future.

Ghetto Classics, the project was named by the children, started in 2009 and has become an important contribution in the township. The foundation also runs the National Youth Orchestra in Kenya with the same ambition and conviction:

Music can make a difference in the lives of young Kenyans.

Nätverkstan, together with Ole Lützow-Holm, Assistant Professor at Academy of Music and Drama, University of Gothenburg, are in Kenya to work together with GoDown Arts Centre on the education Creative Entrepreneurship. Read more of Nätverkstan’s cooperation in Kenya here.

10 december, 2012

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Creative mentoring in Belgrade

Last Friday (November 30) Belgrade’s first one-year mentorprogram, Creative Mentoring, was launched at Gallery 12 HUB. Eleven creatives together with there matched mentors gathered for a Kick-off setting off the program.

The ETC-group, formed together with the Swedish Embassy in fall 2011, gather eleven cultural and social entrepreneurs in Belgrade with high ambition to start, build, and pursue their initiatives in and around Serbia within their different professions. The group decided to start a program for mentoring being inspired by the idea of exchange of knowledge and experience which was the base in the Creative Society–project run by the Swedish Embassy last fall.

In April 2012 the group started the discussion around mentorship in a workshop held by Nätverkstan, which followed by a study trip to Sweden, many meetings, a ”dreamlist” of possible mentors, and finally asking high-profile individuals to be mentors for a year.

And last Friday the formal Kick-off set off this interesting project!

Read more of the workshop in Belgrade last April here. Read also the plan for Creative Mentoring here: Kreativno mentorstvo – opis projektan.

2 december, 2012

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Once more: Ka–tziing!

Have you ever heard the sound of money pooring into to your cash register? The sound is illustrated with a big ”Ka-tziing” (at least in Swedish…) when figures like Scrooge McDuck in the Donald Duck cartoons is pooring more gold coins into his already dense cashbox.

”Kablonk” documentary filmer Bengt Löfgren illustrated the sound of the few coins he could cash in after his large film projects…

Read more of the conference Ka-tziing here, enjoy the photos from the event and take a look at genvag.nu.

Photographer: Carina Gran, www.carinagran.se.

 

20 november, 2012

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Ka-tziing!

Have you ever heard the sound of money pooring into to your cash register? The sound is illustrated with a big ”Ka-tziing” (at least in Swedish…) when figures like Scrooge McDuck in the Donald Duck cartoons is pooring more gold coins into his already dense cashbox.

”Kablonk” documentary filmer Bengt Löfgren illustrated the sound of the few coins he could cash in after his large film projects. Despite many successful film projects, winning prices and being shown on television, his pockets were still echoing empty he said with a smile. But you have to keep on, not wait for the money, and continue ”listen, learn, and develop” he concluded.

One of the stimulating points of the conference ”Ka-tziing!” in Göteborg on November 14, was when artists within film, literature, visual art, handicraft, performing arts, and music told short pecha-kucha stories of how they live on their art.

The conference and small market fair gathered 250 energetic and interested participants from art, culture, regional office, and organizations working with cultural entrepreneurship, to discuss, mingle, network, and get information of what Region Västra Götaland is doing to facilitate the entrepreneurial side of a cultural and artistic freelance work.

Guest key note speaker was Giep Hagoort, researcher of Utrecht School of the Arts (Holland), focussing on the entrepreneurial dimension of cultural and creative industries (also the title of his latest booklet), addressing the main point that all discussions and research on art and cultural entrepreneurship have to start in close relation to the actual artistic scene – to the practice.

Researchers have a tendency to sit in their ivory towers and not meet with the practice. To reach new interesting research, this needs to be challenged. And a quick hand-up on how many researchers this conference had attracted showed one person.

Perhaps no glimmering new solutions of how to get Ka-tziing instead of Kablonk in your pocket, but ideas, perspectives, inspiration, and a lot of time to mingle and look for connections among those who can support in how to a little better sustain yourself.

The conference was an initiative by Region Västra Götaland and Knep, an educational project run by Nätverkstan, supported by the European Social Fund. Funding the conference was European Social Fund and Region Västra Götaland. Performers during the day was Uttryckslabbet. Download the program here: Ka-tziing_inbjudan.pdf.

15 november, 2012

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Lotta Lekvall
Director of Nätverkstan, a Cultural Organisation in Sweden. Nätverkstan provides services …

Cultural and Social Entrepreneurship

On this blog we would like to explore entrepreneurship from a cultural and social point of view. Or rather put forward entrepreneurial initiatives within these two fields.

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